Buying a House

It takes a village

When you buy a house in France, you're not really buying a property so much as a village, an area or a region. The house you can always redecorate, renovate, gut or even demolish to build a new one, but what surrounds it has usually been that way for centuries and probably will be for centuries to come. If you love to go out for coffee or eat lunch at a restaurant, don't get a house in a hamlet where you have to this by car. If you love to walk in nature or go rock climbing, don't settle in a town. If you like to swim and sail and can't afford to be by the Mediterranean, look for a lake.

Roquebrun seen from the bridge.

Roquebrun seen from the bridge.

When I started looking for a house I soon realised I had paid far too much attention to the properties themselves and too little to their surroundings. This all changed when I came to Roquebrun. It was like no other French village I had ever been to, with a rather breathtaking entrance over an arched bridge (my neighbour has had a house here for 17 years and still says "wow" every time he crosses that bridge). As I sat down for my very first lunch here, I thought about the things I like to do when I'm in France and the things I like to do when I'm writing. I like to have coffee or a glass of wine in the street. I like to buy a French newspaper or a magazine. I like to go swimming and take walks. Here, I could do all those things without leaving the village.

But then there was the house itself.

It really was a sad, little house. The shutters had turned grey and a dead wine lay over the facade, like a giant cobweb. Inside, it smelled faintly of mould and old mortar. A Swiss family had used it as their holiday home for over twenty years, now their children were grown and the house had been left empty for over a year. Going through it, it was as if they were still here; towels hanging on bedposts, a Yatzy score card with dices strewn on the dining table, a novel lying at the foot of a bed as if someone was coming to pick it up at any moment. The comings and goings of the Swiss family's summer life was everywhere, yet the people themselves were nowhere to be seen. 

When I looked at the house online, I thought it was too small, with only two bedrooms and a terrace with no possibility for a swimming pool. In addition to that, it was, to be frank, quite ugly. It had been remodelled in the 1970s and the again in the 1990s, one decade thrown on top of the other. Underneath all the wood paneling and plasterboard I assumed I would find the remnants of an old house, with timber beams, stone walls and wooden floors, but I couldn't be sure. The house was all covered up. It was like it couldn't breath. 

On my second viewing I found this old postcard of the house, probably taken at the turn of the last century. The exterior looks mostly the same today. 

On my second viewing I found this old postcard of the house, probably taken at the turn of the last century. The exterior looks mostly the same today. 

The terrace, on the other hand, was magnificent. The real estate agent told me it was quite rare to find a house in the oldest part of the village with so much outdoor space, since the village people who lived here in the old days weren't big on sunbathing. Instead, they had small plots of land by the river where they grew fruit and vegetables. Some of the houses had balconies that had been aded at a later later date, but the village had put a stop to that, nor did they allow the construction of roof terraces. The terrace that came with the sad little house was large and on several levels, with a view of the mountains on one side and the village on the other. It was large and open with just the right amount of shade. Stepping out from all the mold and dust, I realised I had found something rare. 

The real estate agent later told me that several people had viewed the property and loved the terrace and the village, but had been put off by the house itself. They simply could not envision it as a functioning, comfortable holiday home. To be fair, nor could I. But I wasn't going to let that stop me.

I went swimming in the river that afternoon, lying on my back in the water, looking up at the village layered onto the hill. At the very top, just behind the church, was Le Nid, the cheapest of all the properties displayed in the real estate agents window. It wasn't perfect, but I could live in it from the very start, making improvements as I went along. What was already perfect was the village. The following days, I went to look at other houses, but all I wanted to do was return to Roquebrun and go for a swim..

Before I drove back to Béziers that first day I walked up to the house one last time. I stod outside looking at it for a while, as if properly introducing myself. The shutters were closed now, which made it look even gloomier and more neglected. It seemed lonely, unwanted by it's current owners, unused for such a long time. I felt that the house needed me, just as I needed the house. "Ill be back," I whispered. And three days later, I was.

NEXT: How to win the bid

Finding a House in France

When I decided to buy a writer’s cottage, I didn't really know what I was looking for at first. All I wanted was a place were I could stay for long stretches of time – as long as family life would allow – to really concentrate on my writing. Over the past twenty years, I had rented or borrowed many such places, and they all taught me something about what I like and don't like. Therefore, my first piece of advice would be this: When you look for a place of your own, try out a few before you buy. Stay at friend’s cabin, a rented apartment, your uncle’s cottage in the mountains. While you are there, you will discover what's important to you. Write it down. Make a list.

One of the things I discovered, is that I don’t like to be alone in the wild. Frankly, it really scares me. I like to have people around, but not too many people, so I didn’t want to get an apartment in a city, which was probably going to be too expensive anyway. The other thing I discovered was that climate is important to me; I love the sun. I also love France, but to me, France and warmth equalled Provence, where the only thing I could afford was a shack by the roadside. Instead, I steered my search towards other parts of southern France, with equal amounts of sunshine, but fewer million dollar listings. Four weeks later, I landed in Béziers for the first time.

A quaint little house in Vieussan, a small village in the Orb valley. It had a lovely terrace with amazing views of the river, but it was too expensive for me, priced at 180.000 euros. 

A quaint little house in Vieussan, a small village in the Orb valley. It had a lovely terrace with amazing views of the river, but it was too expensive for me, priced at 180.000 euros. 

It was my very first encounter with Languedoc. I rented a small studio in town for a week, and every day for the next seven days, I looked at houses. Most of them I had found through listings on French real estate sites, often lacking in description with just a few (often very bad) photos. In France, a house can be represented by a whole array of agents, which means that none of them put a lot of effort into presenting them. A lot of the time, they won't even tell you the exact location of the property. 

Some of the houses I viewed were more appealing in real life, others a huge disappointment. They were all cheap (my main criteria), located in villages that looked like French prototypes, previously habituated by people that had since passed away. In Norway, when you put a house on the marked, it’s costmary to remove the most personal things, making sure everything’s clean, perhaps even hire a stylist. That wasn't the case here. Oftentimes, the dead owner's things lay scattered about like he'd gone out for a pint of milk and never come back. Instead, rodents and insects had taken over, cobwebs the sizes of pillows hung from beams half devoured by termites. And yet there was still a beauty to these houses, the only remaining witnesses of a life lived, a time passed. 

I will never forget this house in Caunes-Minervois with it's beautiful loft. The house was too big for me, but it had so much potential, with an asking price of just 130.000 euros. 

I will never forget this house in Caunes-Minervois with it's beautiful loft. The house was too big for me, but it had so much potential, with an asking price of just 130.000 euros. 

One day, after a viewing, I got in the car, dizzy from the heath, wondering what in the world I was doing. In the house I had just visited I had encountered a dead lizard, a live bat and cobwebs so heavy with dust they could barely sustain themselves. I drove north, wondering if there was a point to all my endeavours, or if I should just let it go. Then a river appeared, blue and cheerful, as if taking me by the hand to say: Follow me. So I did. As I came over a hill, the village of Roquebrun appeared in the distance, the houses strewn onto the hill like buns in a bake shop. I parked my car in the main street and looked at the people walking by, smiling, tanned, dressed for the beach. What is this place? I wondered. It felt like a well of sunshine.

My appointment with the real estate agent wasn't until an hour later, so I went into the nearest restaurant and asked for a table. Outside or inside? the hostess asked, an older lady addressing the guest as if they were all close friends. I pointed towards the outside and she escorted me to a veranda with a table under a wine-covered pergola, allowing just the right amount of light to sift through. From my seat I had a view of the river where people were floating slowly on their backs. Vegetable gardens sloped towards the water stacked with giant tomatoes, squash and salad. I remembered that the house I was viewing came with such a garden. And I knew at that moment I was going to buy this house, no matter what it looked like.

 

Next: finding the perfect village